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Finished: Bomber Jacket of Leather and Metallic Brocade

Wednesday, April 24th, 2013
Isabel Marant bomber 2

This Isabel Marant jacket was the inspiration starting point for my third and final bomber jacket.

Readers, I think I got a little bit carried away with the whole bomber jacket trend. First I made this bomber, then this one, and now here’s my third–AND LAST!–bomber jacket. I really enjoyed sewing the first two versions, but this one I just wanted to be over with. I’m very happy with the results, mind you, but this pattern is being officially retired.

leather-brocade-jacket

Finished! My third and final bomber jacket, a combination of silver metallic brocade and taupe leather.

IMG_1011

It’s hard to photograph some metallic fabrics. I took these photos here, but even our in-house professional photographer sometimes struggles with how to successfully capture metallics.

Here’s a quick recap of the sewing details:
- Light taupe leather for the sleeves and neck binding from Mood NYC’s leather department
- Silver metallic brocade, also from Mood NYC, but no longer available because a buyer for Club Monaco bought the rest of the bolt. (Here’s a brocade from MoodFabrics.com that I think would work well.)
- Flatlined instead of lined using an off-white silk crepe de chine
- Hong Kong seams and seam binding using a lightweight silk brocade I had in my stash
- BurdaStyle pattern 7210
- Lampo zipper stitched on the outside as a design element
- Welt leather pockets

leather-jacket-close-up

Here you can see the silk crepe de chine lining and the Hong Kong seams. If you’re planning on wearing a jacket unzipped, like I do with this jacket, it’s important the interior looks as great as the exterior.

I did have one dramatic incident when I was working on the the welt pockets. Somehow I managed to slit my fingertip open and it bled all over the silk crepe de chine pocket. I was able to remove the blood stains (blotting with a damp towel while cursing up a storm), but I ended up getting water stains on one of the leather sleeves and on one of the welt pockets. Of course they’re only removable by taking the jacket to a professional leather cleaner. Waah.

Bottom line: I feel very chic in this jacket! Employees and customers alike told me how much they liked it when I wore it last week. The leather sleeves are very soft and comfortable to wear, even in the warmer weather. It looks great with the sleeves worn pushed up and paired with jeans or pants.

What I’m working on now: I’m finishing up a new tote for spring and summer made of coated linen and leather, then I start sewing a shirt that combines two Thakoon silk prints: item numbers 303199 and 303197. It’s so nice to have runway shots like these to study how the designer placed the motifs, because print placement can be very tricky. What are YOU working on now?

Thakoon prints

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Finished: The Textured Bomber Jacket

Monday, March 4th, 2013
Bomber jackets found on Net-a-Porter: l-r, Isabel Marant, Maison Martin Margiela, Maje

Bomber jackets found on Net-a-Porter: l-r, Isabel Marant, Maison Martin Margiela, Maje

My first sewing obsession of the new year was to make a bomber jacket. Every time I saw a  bomber jacket added to Net-a-Porter or read some fashion editorial about varsity jackets as the latest thing, I decided I had to make one for myself.

So, hmm, I knew I wanted to make a black bomber jacket, though I didn’t intend to make a textured bomber jacket. But readers, even though I work at Mood Fabrics and fabric is my business, I GET OVERWHELMED TOO! I was wandering around our silk department, pattern in hand, and I was an indecisive mess. Drool was practically coming out of my mouth, I was in such a stupor over which fabric to choose. But then our wonderful, longtime sales associate America thrust a bolt of newly arrived Marc Jacobs wool-blend brocade at me and said “Here, this is your fabric.” Actually, I think she just wanted me to quit taking up space on the sales floor, but I grabbed a couple yards of it and scurried back to my office downstairs.

bomber front 1

And this cotton brocade turned out to be a delight to work with. Don’t you just love it when fabric behaves? When a seam presses open perfectly and your stitches disappear into the fabric? We still have some of this brocade available at the Mood NYC store: call 212-730-5003, ask for America (or the silk department) and tell her you want Meg’s bomber jacket fabric; $50 a yard and worth every penny.

bomber detail

Above, a better glimpse of this textured fabric and some of the jacket details. You can see I opted to use elastic encased in silk satin rather than the called-for ribbing at the waist and cuffs. I tested a couple of knit ribbing options first, including a neoprene, but wasn’t happy with them. I do like the contrast of the smooth satin with the textured cotton.

The zippers are pick-stitched rather than machine-stitched; I think that’s a little more elegant. I wish I had gone with a more expensive zipper rather than these ordinary YKK zippers, and that  I had played a little more with zipper treatments before going the exposed zipper route, but oh well, live and learn.

bomber inside

I chose not to line this jacket. The cotton fabric would have been fine without a lining but I decided to flatline it instead with some silk organza, just to give it a little wearing ease and a neat appearance when you see the inside of the jacket. (Flatlining is a technique where the fashion fabric and lining fabric are treated as one fabric, rather than constructing the garment first and then attaching the lining.) I basted the silk organza to the cotton brocade pattern pieces before I sewed the pieces together.

Which pattern, you ask? It’s BurdaStyle 7210, and you can buy it from Simplicity.com; yay, no tracing involved! This pattern is very well drafted in the sleeve area and overall. The only adjustment I made to the pattern itself was to narrow the sleeve width slightly (personal preference), and to omit the front and back flaps.

Other construction details:

- Seams are either Hong Kong-finished with satin bias tape or serged.
- The neckline finish consists of a silk satin bias piece that is lined with some neoprene I had around, just to give it some fullness.
- I hate when the zipper tape shows on the wrong side, so I covered it with satin bias tape (handstitched).
- Pockets are made from black silk charmeuse I had in my stash.

bomber inside 2


Bottom line:
Really, really pleased with this jacket, though it ended up being a little more structured in appearance than a typical bomber jacket. I wear it unzipped over a t-shirt or turtleneck, and with jeans or black or tan pants. Sewing construction actually was easy and it all came together fairly quickly. In fact, I’m now working on another interpretation of the bomber jacket, this time in ivory neoprene with lace overlays….

Thinking about making a bomber jacket? Really, the fabric options for this type of jacket are endless. I’d consider lighter-weight fabrics with some body, soft hand and relaxed drape, maybe a medium-weight satin. Take a look at bomber jackets in stores and online and see what fabrics work best, then go for it!

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Finished: Prada-Inspired Jacket, with Carolina Herrera Brocade

Thursday, September 13th, 2012

Sewing inspiration: Prada Fall 2012 suit. Photo by Marcio Madeira.

If you’ve cracked open any of the hefty September fashion magazines, you’ve seen pages devoted to the bold brocade prints of Prada Fall 2012. Anna Wintour wore the jacket above to the U.S. Open, and it looked stunning on her. So I’ve been wanting to make my own statement brocade jacket. Finding a geometric print wasn’t as important as finding a bold brocade print was. Fortunately I found a dramatic Carolina Herrera brocade print at Mood NYC that I loved, and I turned it into this simple jacket:

Jacket made with Carolina Herrera silvery brocade from Mood NYC. $50 a yard and worth every penny because this fabric is a delight to sew and press. To purchase, call 212-730-5003 and ask for the Silk department, or send an email to silk@moodfabrics.com.

You know I have a serious thing for brocade fabrics. If your only exposure to brocades sold by the yard is what you see in the chain stores, you may find my brocade addiction baffling. I don’t mean to come off like a big old fabric snob (though I am one, admittedly), but there is a huge difference in quality between their brocades and the brocades Mood sells and designers like Carolina Herrera use in their collections. I mean, which is yummier: a mass-produced cookie from a bag in the grocery aisle, or a fresh-from-the-oven cookie made with the best ingredients? Same thing here. Better brocades from Europe are a delight to sew and work with, and they always look expensive to wear.

Ok, stepping off my pedestal now and giving you the details about the jacket. I used an out-of-print Vogue pattern, 8541, changing the long jacket view into one long piece rather than seaming it at the waist. No lining needed, just finished the seams Hong Kong style. Added side pockets (seriously, why do pattern makers omit pockets all the time? I need ‘em!). The jacket looks good worn open or buttoned and belted. Very pleased with it and now moving on to sewing a leather top for fall; details to come.

I love how sometimes this CH brocade looks silver and maroon, sometimes silver and black. Carolina used this particular fabric for beautiful gowns and dresses.

No lining, just Hong Kong seams. This was the most time-consuming part of the jacket.

Here are some CH brocades I love that you can find online at moodfabrics.com:

Carolina Herrera Brocade 300687

Carolina Herrera Silk Metallic Brocade FS19519C

Watch your emails from Mood for more Carolina inspiration! Not a Mood newsletter subscriber? Sign up here for fashion inspiration and sales.

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Is a little black jacket on your sewing life list?

Wednesday, June 13th, 2012

All the fashionistas in NYC are buzzing over The Little Black Jacket exhibit that’s in town through this Friday. Have you heard about this exhibit? Karl Lagerfeld and Carine Roitfeld dreamed up the idea when Carine was having a black Chanel jacket custom-made. They gathered up over 100 celebrities, Karl photographed them in versions of the iconic jacket, and voilà, a book and an exhibition was born.

All this hoopla has me obsessing once again about Chanel jackets and being thankful that I can sew my own, since owning a real Chanel jacket could easily cost several thousand dollars. Making one seems to be a right of passage for sewists, many of whom flock to Susan Khalje’s French jacket sewing classes and read everything Claire Shaeffer writes on the subject.

Me, I made a black Chanel-style jacket about four years ago. I like it, but I’m not in love with it (too short in length, gets a little warm to wear for any extended period of time). Time for a do-over! I really like the longer length of Vogue 8804. Yesterday morning at Mood I swatched a piece of black wool bouclé  and then played around with some trim and buttons. Half the fun of making a Chanel jacket is picking out the perfect fabric and trim, right?

Italian black wool bouclé from Mood NYC, $35/yd. Toying here with a beaded trim, though I'll probably go with a more traditional braid in the end.

Have you made a Chanel-style jacket? Do you think making one is something that needs to be on every sewist’s life list? What other iconic garments belong on such a list? Tell me here!

 

 

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